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The world’s first AI produced music album breaks cover

In the short term musicians and artists will increasingly find themselves collaborating alongside with AI, but by next year we'll start seeing AI's go it alone.

Cite or link to this article

Griffin, M. (2017) 'The world’s first AI produced music album breaks cover', 311 Institute, 25 August. Available at: https://www.311institute.com/the-worlds-first-ai-produced-music-album-breaks-cover/ (Accessed: 25 October 2026).

This week it was announced that Taryn Southern, who’s no stranger to the music industry with over 500 million views on YouTube and over 450,000 subscribers, had released a new album, and her first song “Break Free” was, as you’d probably be able to suspect, an instant hit.

The song, and in fact the entire album, features an artist known as Amper, but in this instance what looks like a typical collaboration between two artists is much more than that, because, you see, this is Amper’s debut. And Amper’s not a person.

Like Magenta, Google’s own wannabe pop star, DeepBach and the creations from Jukedeck, Amper is described as “an Artificially Intelligent (AI) music composer, producer, and performer” who was developed by a team of professional musicians and technology experts, and it’s the very first AI to have composed and produced an entire music album, beating Sony and Flow Machine's first AI produced album, which is due to be released later this year after it debuted two songs earlier this year, by a few months.

The album is called I AM AI, and “Break Free” which you can watch below was released on August 21st.

Break Free, from the album I AM AI

As film composer Drew Silverstein, one of Amper’s founders, explained Amper isn’t meant to act, or strike out, totally on its own and it was designed to work in alongside with human musicians.

Introduction to Amper

“One of our core beliefs as a company is that the future of music is going to be created in the collaboration between humans and AI. We want that collaborative experience to propel the creative process forward,” he said.

That said, the team notes that, contrary to the other songs that have been released by other AI composers, the chord structures and instrumentation of “Break Free” are entirely Amper’s work.

Arguably, Amper is breaking the mould first laid down by some of the industry’s other notable AI’s, like the ones mentioned above, normally, the original work done by the AI is used, morphed and then, to some degree, reinterpreted by humans. In short, humans are doing a lot of the leg work and the post production, as Amper’s team noted, “the process of releasing AI music has involved humans making significant manual changes, including alteration to chords and melodies, to the AI notation.”

But none of that is the case with Amper, it only works with manual inputs from the human artist when it comes to style and overall rhythm, and most notably, Amper can make music in just seconds, and who knows, as Amper continues to release more songs it might even be picked by the industry’s first AI A&R company, or one day collaborate with other vocalist AI's, like Barack Obama and Donald Trump. Scary.

311 Intelligence

What this means for your organisation

Production, not just assistance.

The chord structures and instrumentation of the lead track are the system's own work. That goes beyond tools that help a human finish a piece.

Collaboration is the stated model.

Silverstein says the future lies in collaboration between people and machines. Firms commissioning creative work should decide what mix they want and say so in contracts.

Rights need clarity.

When a system composes, credit, ownership and licensing all become questions. Brands using such music should check the chain of rights before release.

Three questions for your next leadership meeting

  1. Would we use machine composed music in our brand work?
  2. Who owns the rights to work our tools produce?
  3. What quality standard would we set for creative output?

The trends and technologies behind this story

From the 311 Starburst, the 311 Strategic Intelligence Unit’s map of the technologies and trends shaping the next 50 years.

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Analysis by the 311 Strategic Intelligence Unit, from Matthew Griffin’s article and 311 data. First published on Fanatical Futurist.

FAQ

Why does this matter?

In the short term musicians and artists will increasingly find themselves collaborating alongside with AI, but by next year we'll start seeing AI's go it alone.

Matthew Griffin

About the author

Matthew Griffin Founder, President and Futurist, 311 Institute

Matthew Griffin is a multi-award winning Futurist and expert in Disruption and Innovation, Geopolitics, Leadership, and Technology, who NASA have described as a "walking encyclopaedia of the future" and a "futurist Polymath."

Read full bio

Matthew Griffin is a multi-award winning Futurist and expert in Disruption and Innovation, Geopolitics, Leadership, and Technology, who NASA have described as a "walking encyclopaedia of the future" and a "futurist Polymath." 17-time best selling author of the "Codex of the Future" series, Matthew is the Founder, President and Futurist of the 311 Institute, a global Futures and Deep Futures advisory firm working with royal households, world leaders, G7, G20, and G77 governments, NGOs, and multi-national mid and mega cap firms to help them explore, shape, and lead the next 50 years of business and society.

An award-winning YouTube creator with over a million followers, with an unrivalled global reach and impact, Matthew is a highly sought-after international keynote speaker, lecturer, and mentor who collaborates with global leaders through the United Nations Alliance of Civilizations (UNAOC) and United Nations General Assembly (UNGA) to shape pivotal initiatives such as the UN’s AI for Humanity programme, the United Nations Conference of the Parties (UN COP), and the World Economic Forum in Davos.

As the former Global Head of Cloud, National Security, and Enterprise Sales for companies including Atos, Dell-EMC, and IBM, Matthew has a proven track record of building multi-billion dollar business units and turning failing divisions into market leaders. His ability to identify, analyse, and communicate the implications of hundreds of emerging technologies and trends is unparalleled, and his insights are trusted by many of the world’s most respected organisations, including ABB, Accenture, Adidas, AON, ARM, BCG, Centrica, Citi, Coca-Cola, Dentons, Deloitte, Dow Jones, EY, Google, KPMG, Lego, Legal & General, LinkedIn, Microsoft, PepsiCo, Qualcomm, RWE, Samsung, Siemens AG and Siemens Energy, T-Mobile, UBS, VISA, Walmart, Workday, Worldpay and many others.

Regularly featured in the global media including the AP, BBC, Bloomberg, CNBC, Discovery, Forbes, Khaleej Times, Telegraph, TIME, ViacomCBS, WIRED, and the WSJ, Matthews mission is to help organisations create a fair and sustainable future whose benefits are shared by everyone irrespective of their ability, background, or circumstances.

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Sources and further reading

  1. Jukedeck raises the roof enterprise.cam.ac.uk
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