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Xania Monet is the first AI artist to debut on Billboard airplay chart

AI artists will in time become ubiquitous and superb and human artists are going to have to watch out.

Key takeaways

  • AI creation Monet has now become the first known AI artist to earn enough radio airplay to debut on a radio chart, per Billboard.
  • In an article shared late last month, they pointed to a trend that so far has seen at least one AI artist debut in each of the past four chart weeks.
  • Earlier this year, an AI-generated ‘band’ called The Velvet Sundown made headlines after gaining around 400,000 monthly Spotify listeners – despite only existing for less than a month.
Cite or link to this article

Griffin, M. (2025) 'Xania Monet is the first AI artist to debut on Billboard airplay chart', 311 Institute, 4 November. Available at: https://www.311institute.com/xania-monet-is-the-first-ai-artist-to-debut-on-billboard-airplay-chart/ (Accessed: 1 October 2026).

“Xania Monet” has become the first Artificial Intelligence (AI) artist to chart on US Billboard rankings. AI creation Monet has now become the first known AI artist to earn enough radio airplay to debut on a radio chart, per Billboard. In an article shared late last month, they pointed to a trend that so far has seen at least one AI artist debut in each of the past four chart weeks.

Monet – described on an Apple Music artist profile as “a contemporary R&B vocalist” – is operated by Mississippi poet and designer Telisha “Nikki” Jones, who reportedly uses the generative software to set her poems to music, and back in September, it was revealed that she had signed a multimillion-dollar record deal with Hallwood Media after a bidding war between multiple labels.

Monet’s track ‘How Was I Supposed to Know?’ came out at No. 30 on the Adult R&B Airplay chart this week, and also took the top spot on the R&B Digital Song Sales chart and, since the summer, has appeared on Hot Gospel Songs, Hot R&B Songs, and Emerging Artists charts.

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She has reportedly racked up 44.4 million official US streams, equating to over $52,000 in a matter of months.

Kehlani has previously hit out at the success of Monet, telling fans on TikTok the proliferation of AI in music was “so beyond out of our control.” She went on to highlight the power of AI to create fully formed songs without users having to “credit anyone” involved in making the copyrighted works on which such generative music systems are trained.

“Nothing and no one on Earth will ever be able to justify AI to me,” she added. Other critics of the tech include Mac DeMarco and SZA, while ABBA‘s Björn Ulvaeus has called AI “such a great tool.”

It comes during a period of continued controversy for AI technology in the music industry, with a recent study sharing the stark warning that people working in music are likely to lose a quarter of their income to AI over the next four years.

Last month, Spotify confirmed that it was cracking down on AI by removing 75 million “spammy tracks” and targeting impersonators. The statement, titled ‘Spotify Strengthens AI Protections For Artists, Songwriters, And Producers’, added: “AI technology is evolving fast, and we’ll continue to roll out new policies frequently.”

This followed a report claiming that AI-generated songs were being uploaded to dead musicians’ Spotify profiles without permission.

Earlier this year, an AI-generated ‘band’ called The Velvet Sundown made headlines after gaining around 400,000 monthly Spotify listeners – despite only existing for less than a month. A ‘spokesperson’ for the viral act later admitted that he was running a hoax aimed at “the media.”

As for how The Velvet Sundown got so many listeners on Spotify, he said: “I know we got on some playlists that just have like tons of followers, and it seems to have spiralled from there.”

Meanwhile, Deezer recently revealed that 28 per cent of music uploaded to the streaming platform was fully AI-generated.

Paul McCartney, Kate Bush and Elton John are among the big British artists to have urged Keir Starmer to protect the work of creatives last month. This came after the Prime Minister told NME: “It’s very important we protect creativity, and we’re brilliant at creativity in this country – we punch well above our weight within the country and globally, and we’re all very proud of that.

“We need to get the balance right. That’s why we did a long and important consultation, and we’re going through the responses of that consultation now. So it is a question of getting the balance right.”

His comments followed a call on the UK government from various major acts to change copyright laws to combat the tech as it progresses rapidly. Elton John claimed in January that AI would “dilute and threaten young artists’ earnings,” while backing criticism from Paul McCartney.

FAQ

Why does this matter?

AI artists will in time become ubiquitous and superb and human artists are going to have to watch out.

Matthew Griffin

About the author

Matthew Griffin Founder, 311 Institute

Matthew Griffin is a multi-award winning Futurist and expert in Disruption and Innovation, Geopolitics, Leadership, and Technology, who NASA have described as a "walking encyclopaedia of the future" and a "futurist Polymath."

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Matthew Griffin is a multi-award winning Futurist and expert in Disruption and Innovation, Geopolitics, Leadership, and Technology, who NASA have described as a "walking encyclopaedia of the future" and a "futurist Polymath." 15-time best selling author of the "Codex of the Future" series, Matthew is the Founder and Futurist in Chief of the 311 Institute, a global Futures and Deep Futures advisory firm working with royal households, world leaders, G7, G20, and G77 governments, NGOs, and multi-national mid and mega cap firms to help them explore, shape, and lead the next 50 years of business and society.

An award-winning YouTube creator with over a million followers, with an unrivalled global reach and impact, Matthew is a highly sought-after international keynote speaker, lecturer, and mentor who collaborates with global leaders through the United Nations Alliance of Civilizations (UNAOC) and United Nations General Assembly (UNGA) to shape pivotal initiatives such as the UN’s AI for Humanity program, the United Nations Conference of the Parties (UN COP), and the World Economic Forum in Davos.

As the former Global Head of Cloud, National Security, and Enterprise Sales for companies including Atos, Dell-EMC, and IBM, Matthew has a proven track record of building multi-billion dollar business units and turning failing divisions into market leaders. His ability to identify, analyse, and communicate the implications of hundreds of emerging technologies and trends is unparalleled, and his insights are trusted by many of the world’s most respected organisations, including ABB, Accenture, Adidas, AON, ARM, BCG, Centrica, Citi, Coca-Cola, Dentons, Deloitte, Dow Jones, EY, Google, KPMG, Lego, Legal & General, LinkedIn, Microsoft, PepsiCo, Qualcomm, RWE, Samsung, Siemens AG and Siemens Energy, T-Mobile, UBS, VISA, Walmart, Workday, Worldpay and many others.

Regularly featured in the global media including the AP, BBC, Bloomberg, CNBC, Discovery, Forbes, Khaleej Times, Telegraph, TIME, ViacomCBS, WIRED, and the WSJ, Matthews mission is to help organisations create a fair and sustainable future whose benefits are shared by everyone irrespective of their ability, background, or circumstances.

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Source: first published by the 311 Institute on 4 November 2025. Cite as: Griffin, M. (2025). Xania Monet is the first AI artist to debut on Billboard airplay chart. 311 Institute. https://www.311institute.com/xania-monet-is-the-first-ai-artist-to-debut-on-billboard-airplay-chart/

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